3" x 4.5"
coloured pencil on wood
Not sure I like this one as much, this cheaper wood (not the birch I prefer) gives a courser look...
All great art is the work of the whole living creature,
body and soul, and chiefly of the soul.
--John Ruskin
Art is creative for the sake of realization, not for amusement: for transfiguration, not for the sake of play. It is the quest of our self that drives us along the eternal and never-ending journey we must all make.
--Max Beckmann
3" x 4.5"
coloured pencil on wood
Not sure I like this one as much, this cheaper wood (not the birch I prefer) gives a courser look...
5.5" x 9"
coloured pencil on wood
With this one, I stained the wood before drawing on it. I like the look of it, the way it brings out the woodgrain and warms it up. I think I'll do more.
3" x 4.5"
coloured pencil on wood
I was going through my old life drawings thinking I could use some of them, and found a sketch I'd done back in Chicago. I transferred it onto a small wood panel, and coloured it in... The background of circles/bubbles/cells/stones is something I've used over and over in my work.
More to come...
I am, at this moment, filling out the application for Art at the Source, "an open studios event sponsored by the Sebastopol Center for the Arts and focusing on artists based in western Sonoma County". Yay!!
So, I need to greatly expand my portfolio, to pad it with less intricate and time consuming (ergo, less expensive) works. With this in mind, I have set myself a goal of making at least 5 pieces each week priced under $100. This is the first, to get the ball rolling
Not sure what this thing is. A few years ago (ok, closer to 5 yrs) I was experimenting with collages and image transfers. This a collage I transfered onto a piece of wood. Because the wood was dark and only the ink transfers over, the whole thing was really dark. I just went back in and added some shadows and highlights and blues in coloured pencil...
And I finally got around to finishing this piece:And it only took 6 hours... I got to watch the sunrise (quite rare for me)
I've been listening to eastern european surf music all day, and thinking about getting the shrine ready for the Handcar Regatta. Hmmm...
I also figured out what to do with my backyard, pictures soon...

(oil paint, pen, coloured pencil on pine frame)
Another piece that I've had sitting around for a while. Originally, it only had the figure, straining against the sides, trying to escape the 'box'. Then I added the string and the crow on the bottom holding the end of it. After I drew it I felt really bad at creating this world where a crow was being jerked around, like I'd tied a REAL crow to the end of a string. So I stopped and stuffed it in a box... Until last night...
I added a second crow and continued the string past the bottom crow, giving them both a more 'active' role in the situation. But then I needed to do something at the end of it...
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Lately I've been reading more Norse mythology and a bit of it seems to have worked its way into this piece.
So this is turning out to be a Norn spinning the thread of someone's life, deciding their fate, with Huginn and Muninn watching closely (and maybe lending a foot or two) so they can tell Odin all about this new person coming into the world... But even as she's spinning she's getting tangled up in the thread as well, maybe losing a bit of her objectivity...?
I love it when these things happen. This thing has just been sitting for the last 6 months because I couldn't figure out how to finish it. Then everything just falls into place. Stuff I've been reading, pictures I've been looking at, all just seem to fit together perfectly to make it complete.
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norn=woodsprite? The woodsprite was my consolation/therapy piece for not being able to finish this one when I started it.
“Humankind has not woven the web of life. We are but one thread within it. Whatever we do to the web, we do to ourselves. All things are bound together. All things connect.”
I've been toying with this idea for ages, finally decided on the right figure and composition this week.
Now that I have the room, I decided to take advantage of the space and use my overhead projector for the first time - almost four years in storage, it's about time I used it. But the smallest it would get (and still be in focus) was still too big for the canvasses I had. So I went to the hardware store and picked up a few sheets of 2'x4' birch plywood. It's the largest painting I've done in a long time. Eek!!
I've been making it a point to stop periodically and take pictures of each stage. I've never done it that way before, since I generally like to finish paintings in one sitting... I have the feeling that it's going to take me a while to finish this one.

I have been bouncing off the walls of my skin for days... weeks now... vibrating with the urge to create something. It's the most frustrating thing in the world, this all-consuming need without the inspiration to temper it. To make it useful. To make it more than just this paralyzing itch that is always moving just ahead of where I'm trying to scratch with fingers I have no control over.
I've started several pieces mostly just as busywork to keep my hands occupied, if not my mind. Even finished a few.
I did these figures months and months ago, but couldn't decide what to do for the background so I just stuck it in a box and left it for a while. I'm still not sure if I finally figured out that this was enough or if I just gave up and did what I could to correct previous missteps:
Having such a simple background, on one hand feels like sort of a cop-out, since I didn't really even think about what to do, I just did the first/easiest/simplest thing that popped into my head just to get it finished. But I think it keeps it from being too cluttered.
There's still a few things I want to do to it, more highlights/shadows on the rocks, shading on the leaves... strengthen a few outlines... Need to find a title too.
My last "studio" was definitely getting a bit claustrophobic by the time I moved. Working in such a small space I'd started to produce very small pieces, didn't have room for anything I couldn't hold in my lap... So when I moved I chose a place where I could have more space to work on larger pieces. I get this nice big (relatively speaking) studio and what do I do?
I keep working small!!!
I gotta stop doing this!










"My mind is a raging torrent, flooded with rivulets of thought cascading into a waterfall of creative alternatives! "- Mel Brooks, from Blazing Saddles.